Collection based on the material sense of the structure. The dynamic of the support is in favour of visual minimalism with extreme characterization of the finishes. The support surface, with the geometric perfection of the cuts, gives the collection sumptuousness and elegance, like the absolute epiphany of sound. OTO is rigor, natural strength, but at the same time lightness, like the wind that lashes the reeds, an aesthetic hiss of unique harmony, with a strong reference to the sociability of the table, as a meeting place for words and sound.
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